Bent Joshua Turns Introspective on Album “Keep The Faith”

About the Artist

Bent Joshua steps into rap on Keep The Faith, his fourth album released June 20, 2025. Across eight tracks, he blends trap, house, and reggaeton while driving everything through sharp lyricism rooted in his spoken word background. The album moves like an internal dialogue after turning 30, confronting fear, grief, and stagnation while searching for direction beyond expected paths.

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The Album

Tired Lately opens the album and immediately sets a vulnerable tone. The melody mirrors exhaustion, even in the way it is sung in this wrung out, almost drained delivery that makes you feel it physically. The track sits in emotional and physical fatigue, worn down by modern life and the pressures that come with aging and responsibility.

Next, Damaged Thoughts comes in sounding like the void echoing right from the beginning. The lyrics, “You’re my cure only for today… feelin’ down wanna blow my brains,” are graphic and move through chaotic, self-destructive thinking patterns, and a battle to overcome internal negativity. After that, Save My Soul shifts the tone slightly. The plucked guitar melody feels lighter, almost like a breath, but the weight is still there. It leans more spiritual, more like a plea, “Can you help me I’m all alone, save me save my soul.” There’s a search for guidance here, for redemption in the middle of feeling completely lost.

What’s Above Love? follows and turns more contemplative. The lyrics, “Do you love love? Can I have some? Will it help me heal my mental?” question whether love is enough, whether it’s better than other human connections and if there’s something beyond or above it. Then, Shadows falls into something more introspective. The lyrics, “My past haunts me like a Poltergeist,” reflect on how past mistakes and regrets continue to follow, even when you try to move forward.

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Hypnotized opens almost like a chant, looping in a way that feels deliberate. It uses hypnosis as a metaphor for complacency, for being stuck, distracted, and unaware of how deep you’ve drifted. Next, Riding Lawnmower, the lead single, and a tribute to his the artist’s late grandfather, stands out as the most narrative-driven moment. It takes something mundane—mowing the lawn—and turns it into a metaphor for slow, repetitive self-improvement, the kind that isn’t necessarily dramatic but still matters.

Lastly, Full Moon feels like your eyes opening. “The more I age the less I learn… you can do it, can I really?” The lyrics hit here are more direct. The track carries this sense of grief that has only seemed to grown bigger with age. This track at the end sits right at the peak of the album’s emotional journey.

As a whole, the album moves like a cycle. It feels like walking through dimly lit rooms at night, each track opening a different door—some heavy, some quiet, some harder to step into than others. It sits in exhaustion, spirals through doubt and self-destruction, reaches for something higher, and then lands somewhere between clarity and uncertainty, like standing under a full moon that lights everything up but still leaves shadows behind. But mainly, it stays honest to the process, letting all the emotions and feelings that roll into life exist as they are, no matter how unkempt.

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