Lost Velvet, UK-based duo Robert Butcher and Melissa Morris, create music like fragments of a dream left flickering at the edges of memory. Because their influences stretch from David Lynch’s surrealism to the shadowy depths of shoegaze and dream-pop, their sound feels fragile, cinematic, and magnetic. Recently, on August 22, 2025, they released Make It Alright. A single that turns repetition and intimacy into something ghostly, shimmering, and strangely luminous.
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From the beginning, the tentative guitar melody unsettles the silence, fragile yet foreboding, like footsteps echoing in an empty hall. Then the first lyric, “Right place, wrong time” emerges in Morris’s breathy tone, a voice drifting through fog.
Immediately, the picture paints itself: deserted streets after rainfall, headlights bending across puddles, time suspended. Moreover, the verses, “Same face, new line” and “Same place, same time, no fault of mine,” loop like déjà vu, fragments of conversations already overheard.
Next, as the chorus unfolds, “You make it alright, you make it not right, you’re making it right” the track sways between tenderness and contradiction. The phrase, “Make It Alright” drifts with eerie weight, less comfort than spell.
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Furthermore, when the drums strike midway, the track gathers momentum without losing its haunted quality. Consequently, the draggy pull of the vocals grows heavier, as though the voice itself presses closer with each repetition.
Finally, the song collapses—vocals and melody folding over one another in a final surge. Ultimately, Make It Alright feels like a reel of forgotten film. One where cycles of love and stagnation replay endlessly, flickering yet impossible to turn away from. Lost Velvet transforms fragility into cinema, leaving the listener suspended in a haze.
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Figuring out my path while actively plotting ten others. Serious about my dreams with somewhat chaotic ambition. Will do anything for cats.
