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“If the Sun Dies”: Greg Weeks’ New Album Navigates Connection, Identity, and Isolation

About the Artist

Greg Weeks makes his long-awaited return with If the Sun Dies, his seventh solo album, arriving January 23, 2026. His first solo release in nearly 17 years, the 11-track record coincides with the relaunch of his label, Language of Stone.

Based in Rochester, New York, Weeks has long been celebrated for his psych-folk approach, blending finger-picked guitar, Moog and Mellotron, harmonium, and layered string arrangements to craft dense, thoughtful compositions. Throughout his career, his music has evoked the haunting intimacy of Nick Drake, Leonard Cohen, and Tim Buckley, while his lyrics explore cryptic, poetic reflections on connection, longing, and despair. Albums such as Fire in the Arms of the Sun (1999), Bleecker Station (2000), and Awake Like Sleep (2001) established his delicate balance of analog warmth and emotional depth.

If the Sun Dies continues that exploration, centering on melancholic melodies, contemplative arrangements, and haunting atmospheres. The record showcases Weeks’ mastery of psych-folk storytelling, blending analog instrumentation and intimate vocals to illuminate human vulnerability and emotional resonance.

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The Album

If the Sun Dies, the title track and lead single, opens with warm guitar strings before the percussion pulls you deeper into its gravity. It celebrates the rare intimacy between two people in a world that’s ending. The lyrics, “Imagine you and I alone at last, if the sun dies,” frame love as a fleeting, urgent experience, and the song makes the listener feel that every outside distraction vanishes when true connection ignites. 

Then, The Heathen Heart drags you in with a melancholic melody that feels like a living presence moving through the song. It contrasts a desire for salvation with a darker internal reality. Soon after, Tail Lights Burn the Hillside Red strips depression down to its core, “I see you sufferin’, but I am sufferin’ too.” It exposes the weight of shared pain, draping the listener in helplessness and hopelessness. 

In contrast, Dream You Awake reaches for something unreal while still clinging to possibility. It plays with star-crossed lovers and fragile hope. It sounds like a hand extended into the dark, searching for connection even when it might vanish. Meanwhile, Ridley Street shifts again with deceptive intimacy. It is grounded in movement, showing fragments of travel and transient living. At the same time, the lyrics shift into the point of view of someone stalking another person. Lines like, “the headlights flash on me but they don’t see me” and “follow the car into town,” put the listener in the mind of someone watching another, turning ordinary road imagery into something tense and unsettling.

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Lastly, What It Takes, the closer, grapples with identity when the world—or mind—feels unsteady. Here, “Fetamine, Ketamine, I don’t know what it takes, to be me,” the vocals are hollow, detached, almost wandering, and the sparse instrumentation leaves space for that tension to linger. It’s a song about questioning who you are, about the edges of identity, and about feeling untethered without offering a clear answer, leaving the listener suspended in the struggle too.

Finally, If the Sun Dies builds its emotional world around connection, isolation, and the uncomfortable spaces where the two collide. It sustains a human, tangible core—each song breathes, falters, and stretches, reminding listeners that vulnerability, reflection, and connection are inseparable. Through melancholic melodies, shifting dynamics, and cryptic poetic lyricism, Greg Weeks constructs an album that feels lived-in, deliberate, and unflinchingly honest, cementing him as a master of contemporary psych-folk storytelling.

Moreover, the record rewards close listening, emotional openness, and time. These songs offer only a glimpse of its full emotional scope, while the album expands far beyond them to explore identity in deeper, more complex ways. To fully understand its breadth, it needs to be experienced from start to finish.

“If the Sun Dies” is out tomorrow, January 23, and is available to pre-order on Bandcamp in both vinyl and digital formats.

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Disclaimer: This release was brought to you by a promotional campaign by the artist, PR, or management label.

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Figuring out my path while actively plotting ten others. Serious about my dreams with somewhat chaotic ambition. Will do anything for cats.

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