·November 4, 2025·3 min read

Epic Scales: Samuel Yuri’s Debut Album of Storms and Rising Winds

About the Artist

Samuel Yuri is a Brazilian instrumental composer and multi-instrumentalist known for blending classical, folk, and rock influences into atmospheric soundscapes. Many of his pieces rely on layered guitars, cinematic melodies, and minimalist arrangements that evoke emotion even without lyrics. He combines elements from ethnic and traditional instrumentation, guitar-driven rock, and soundtrack-style composition, positioning his work in a space between contemporary instrumental and cinematic music.

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The Album

His debut album Epic Scales (2022) includes the tracks: Epic Scales, West Song – Second Version, Arab Theme III, Wind Before The Storm (Instrumental), Wind Before The Storm (Instrumental II), Wind Before The Storm (Instrumental III), Wind Before The Storm, Storm (Instrumental), and Storm. The album leverages his dual role as composer and multi-instrumentalist. He uses guitar motifs, atmospheric pads, and rhythmic build-ups rather than traditional verse-chorus structures. Meanwhile, each track unfolds like an instrumental narrative, shifting between quiet tension and expansive release.

The album opens with Epic Scales, its title track, and immediately asserts its cinematic ambition. It pulls the listener into a world built on rock, using smooth guitar lines and subtle rhythmic shifts that keep you alert. The song lives up to its name, it feels expansive, confident, and like the perfect opener. However, the transition to West Song – Second Version grounds the experience. This track leans into southern rock textures, steady rhythms, and rough-edged vocals, “The west is the tale.” It offers familiarity before the album ventures into more experimental territory. As a result, the contrast builds momentum and firmly establishes Samuel Yuri’s genre-blending vision.

Then Arab Theme III arrives and alters the atmosphere entirely. It introduces dramatic, drum-forward pacing and grittier guitar tones. He uses eastern scales and creates an atmospheric interlude that feels strikingly distinct. Yet the shift into Wind Before the Storm – Instrumental marks the start of the album’s narrative arc. The piece breathes with restraint and quiet tension, and its echoes ripple through the next two tracks: Wind Before The Storm – Instrumental II and Wind Before The Storm – Instrumental III. Each one adds more depth, more instrumentation, and more anticipation. Consequently, the trilogy transforms into a steadily rising tide, preparing the listener for its emotional peak in Wind Before the Storm.

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Here, the tension finally breaks. Yuri releases it with gritty lyricism and intensely gruff vocals: “I see now, the wind before the storm,” “I create the sounds right before it rains.” The arrangement bursts into alt-rock and goth-metal, and he delivers it with conviction. The climax—especially the guitar solo—lands hard.

Furthermore, the album shifts into Storm – Instrumental, stripping away vocals to reveal the storm’s raw structure, percussive impact, pulsating basslines, and heavy guitars colliding in instrumental catharsis. It doesn’t pause the momentum; instead, it serves as a prelude to the final reckoning. Both storm tracks are notably the shortest on the record.

Finally, Storm closes the album with full-throttle intensity. The vocals sound raw and fearless, facing the chaos head-on: “These dirty politicians must be washed out. Gotta save our countries, save ’em.” In the end, Yuri’s Epic Scales doesn’t just blend genres, it builds a storm from silence to destruction and dares you to stand inside it. It is bold, immersive, and unmistakably his craft at work.