Coming straight out of Brooklyn, New York, jazz-punk trio Goldbloom has been making waves in the jazz space ever since their first release — bringing the harder edged grit of punk music, and fusing it with the meticulous, layered nature of soft jazz music. On their upcoming album, “For Money and Power”, they explore waters previously uncharted — and themes previously unspoken of; keep reading for my thoughts!
Grant Martin’s dynamic drumming, Steve Williams’ compelling bass grooves, and Blake Opper’s commanding saxophone skills come full circle on “For Money and Power” — and from the very first track, “Redneck”, it’s quickly clear there’s much to explore for the listener in terms of experimentation and finesse. The sound is layered with odd-meter drumming and polyrhythms assaulting the senses from the very star; and coupled with the soft bass playing just below the screaming saxophones, this track sets the stage quite excellently; and with it, a high bar for the rest of the tracks on the album.
Checkout the latest news: Watch: Jung Kook of BTS Sets the Stage Ablaze with Epic Performance and Global Solo Debut
I am elated, though, that the second track on “For Money and Power”, “Ways and Wheels”, retains just as much crispness and fresh, delightful songwriting as the opener; this time going for a bit more emphasis on the basses with the picking style and the cadence of said instruments; Blake Opper chimes in timely with his saxophone grooves and licks, adding the perfect sprinkle of chaos to this madness. “Ketchup Man” soon follows suit, with its more sedate, lounge jazz-like sound, relaxing the listener just the right amount. This track submits to the drumming early on, with the admirable timekeeping going on in Grant’s feet and hands; weaving pages of groove and rhythm to his opus.
I suppose I’d be remiss if we didn’t touch upon the production quality on “For Money And Power”, for this is particularly standout through the album. Every turn, every twist is heard, almost tangibly so — almost like you could reach out and try grabbing at it; and coupled with a mix to admire and master to experience, it feels as though you’re in a swanky Manhattan whiskey lounge, taking in every sip with the aromas, the gentle music and the buzz of tired Wall Streeters behind you; with not a care in the world. Perfection, I dare say.
You may also like listening to: Hard Rock With ‘Cry Of War’ by Gary Dranow
The rest of the album sees pieces like “Roger Ebert V The State of Illinois”, a nod to the famed observer and writer; with its express sax runs and its energetic drumming, and we bring “For Money and Power” to a close with “Still Kansas”, a more sedate, relaxed number that marks the perfect close to this album.
All in all, “For Money and Power”, by Goldbloom: A lot to take in, however, the kind of album to reward you in bags should you choose to be one with the chaos, and be part of this masterpiece. Two thumbs up! The album drops June 8th.
Check out our Spotify playlists.
Check out our YouTube channel for music reviews, playlists, podcasts, and more!
