Connie Lansberg is a Melbourne-based jazz artist who combines three things in a really distinctive way: songwriting, performance, and energy healing. She’s known for a clear, fresh, and deeply emotive vocal style, and she also works as a certified sound healer. Her signature concept, Transformational Entertainment™, is built around the idea that her songs, played live or recorded, can help move stuck energy and support emotional release by gently shifting what’s been held in the emotional body. In her shows, each song is connected to a different energy, and the listener’s awareness is part of what helps the release happen.
Connie Lansberg, in collaboration with Brad Rabuchin, has released a new album, “Aeroplane.” The album opens with the self-titled song. It starts with amazing laid-back riffs, and the moment Connie’s vocals kick in, it feels like the whole track transforms. There’s not a lot of clutter. No excessive noise or overcomplication. Just clean, flowing guitar energy and mellifluous vocal work that makes the song feel intimate and effortless.
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The theme is about rediscovering your true self after trauma, loss, or emotional disconnection. The lyrics use the metaphor of “wings” to symbolize freedom, identity, hope, and that inner potential the narrator has forgotten over time.
Lyrically, the song opens with a traumatic moment: “It started out with a very bad fall / I was knocked unconscious.” That “fall” can be more than physical. It can represent emotional collapse, depression, heartbreak, or any life-changing hardship that leaves someone feeling disconnected from themselves. After that, the narrator starts drifting away from who they really are.
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“Broken Doll” is simple and uncomplicated, but it’s also incredibly moving and genuinely hooking. Carry’s vocals take the lead throughout, supported by subtle riffs in the background that never compete. Just frame what matters. The solo guitar performance is also delivered really well. Overall, it’s easy on the ears, and it stays enjoyable from start to finish.
“Starlight and Gold” is the one moment where the light really gets in. The mood lifts, but it doesn’t abandon the album’s core intimacy. It’s just voice and guitar, and yet it somehow breathes differently here. The acoustic guitar carries most of that shift. The chord movement feels open and unhurried, with a harmonic warmth that feels genuine, not merely decorative. It’s the kind of arrangement that lets the emotion sound natural instead of forced.
“You Don’t Know Me” ends the album on a calm, low-key note. It keeps a laid-back approach with understated, rolling riffs and, as usual, Connie’s vocals lead the way. This time, the vocal work feels more commanding and more passionate, bringing a sense of realisation, quiet clarity, and a subtle sadness underneath.
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Enjoy listening to “Aeroplane” by Connie Lansberg here.
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